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Shut out by a home country that stubbornly refuses to honor its great women filmmakers, the film itself stands ablaze in defiance of - and in glaring contradiction to - the dominance of men.
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While the romance is undoubtedly the heart of “Portrait,” Sciamma also seamlessly infuses the film with evidence of women’s limited options, or rather, the endlessly creative ways they learned to skirt the rules. The setting is a damp and nearly empty manor house on an island in Brittany, the part of France that bears the closest resemblance to England.Ī British austerity permeates the film’s first act, all cold shoulders and sidelong glances between the women, but Sciamma delivers the French passion by the film’s fiery conclusion - and then some. There are only four characters in the film, all women: A painter, her elusive subject, her mother, and their maid. Never fear - Celine Sciamma’s luscious tour-de-force will return to theaters in February, arriving as the perfect Valentine’s Day event for the discerning cinephile. “Portrait of a Lady on Fire”īy now you’ve likely heard enough about “Portrait of a Lady on Fire,” even if you missed its one-week theatrical run. The 35 Best LGBTQ Movies of the 21st CenturyĮmmy Predictions: Outstanding Documentary or Nonfiction SpecialĮvery Palme d'Or Winner From the Cannes Film Festival, RankedĮach year brings more varied and inspiring queer films, one just has to know where to look. Smaller, independent films are garnering interest on the worldwide stage as streaming sites make content more accessible. What’s more, Hollywood is beginning to understand that LGBTQ filmmakers are the best shepherds to bring queer stories to life. More and more filmmakers are not only embracing queer characters and storylines, but learning from criticism about the difference between tokenizing “representation” and authentic and textured storytelling. Oscars or not, there is still so much to celebrate in queer cinema. Celine Sciamma’s stunning masterpiece “Portrait of a Lady on Fire” was passed over as France’s Oscar submission in favor of Ladj Ly’s “Les Miserables,” and Levan Akin’s powerful coming-of-age story “And Then We Danced” was recently left off the short list for Best International Feature. That’s not a reflection of the many excellent LGBTQ films released this year, of which there are a variety. Alas, barring any big surprises, the streak may be broken at next year’s ceremony. “Carol” in 2016, “Moonlight” in 2017, “Call Me by Your Name” and “A Fantastic Woman” in 2018, “The Favourite” and “Bohemian Rhapsody” in 2019. It's unfortunate that Netflix canceled this underrated show after just two seasons.Over the course of the last four years, there has been at least one queer film in the Oscar race each year.
#Good gay movies 2015 series#
The joy of the series is in the updated casting, DeWanda Wise's Nola beams with wisdom, fear, artistic knowledge, and carnal desire, while the men and women in her life are fleshed out and… fleshed out, allowing the many sex scenes to play to the senses while reaching for something deeper. Lee's signature, syncopated style-bright colors, up-close-and-personal confessionals, jolts of pop music and album art, Bruce Hornsby's melancholy piano filling the gaps-is intact, tracking Nola through the gentrifying brownstone labyrinth of Fort Greene.
#Good gay movies 2015 tv#
But who is she? Spike Lee made his directorial debut with 1986's She's Gotta Have It, and 30 years later, expands the character study into his first TV series, a rhythmic exploration of sex, Brooklyn, and Black life. Nola Darling is an artist, an activist, a Brooklynite, and a sex-positive polyamorous pansexual with three emotionally volatile boyfriends.
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Campion's direction is dangerously erotic, while Benedict Cumberbatch gives one of his all-time great performances as a man so uncomfortable in his own skin he inflicts his pain upon others. He is similarly inclined to do that to her son, Peter (Kodi Smit-McPhee), who arrives at the ranch on summer holiday from college studies, but instead decides to take him under his wing, figuring he can mold him into the kind of man he thinks is worth being. He worships a rider named Bronco Henry and calls his softer brother George (Jesse Plemons) "fatso." When George marries a widowed innkeeper (Kirsten Dunst), Phil makes it his mission to mentally torture her. Benedict Cumberbatch plays Phil Burbank, a rancher who prides himself on the dirt under his fingernails and his ability to live with as few amenities as possible. The Piano director Jane Campion's return to feature filmmaking after more than a decade away is an absolute triumph, a chilling exploration of a man driven to cruelty by the pursuit of a masculine ideal in the American West.